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Ain’t Talkin’. Copyright © 2006 by Special Rider Music. All rights reserved. Dark Eyes. Copyright © 1983 by Special Rider Music. All rights reserved. Don’t Fall Apart On Me Tonight. Copyright © 1983 by Special Rider Music. All rights reserved. Jokerman. Copyright © 1983 by Special Rider Music. All rights reserved. License to Kill. Copyright […]
Alessandro Portelli, Hard Rain: Bob Dylan, Oral Cultures, and the Meaning of History. New York: Columbia University Press, 2022.
Mitch Blank is a music archaeologist and consultant archivist at the Bob Dylan Center, Tulsa Oklahoma. He is regarded as one of the pre-eminent collectors of Dylan memorabilia and artifacts, and is a longtime resident of Greenwich Village, New York City. Ronald D. Cohen is Professor Emeritus of History at Indiana University, Northwest. He has […]
SUBMITTED BY Graley Herren I have an update/correction to make to my article, “Young Goodman Dylan: Chronicles at the Crossroads,” which appeared in Volume 2.1 (Summer 2020) of your journal. On pages 82-83, I cite a passage from Chronicles in which Dylan quotes from Archibald MacLeish’s play Scratch – or misquotes, as I claim […]
The Dylan Review spoke to writer and avid Dylan researcher Scott Warmuth in spring 2022. The interview has been edited for length and clarity. Dylan Review: You’ve called Dylan an “outlaw appropriation artist,” especially in his late era. What does that mean? Scott Warmuth: There’s the notion of being an outlaw, and I think that’s […]
BY Walter Raubicheck, Pace University Infidels (1983) remains one of Bob Dylan’s strongest post-60s albums. The album was Dylan’s first since the “Born Again” trio from his explicitly Christian period. Artistically, fans and critics considered the album as an advance over its predecessor, Shot of Love (1981), though they still scrutinized the album for […]
During the VIP opening weekend of the Bob Dylan Center in Tulsa, Oklahoma, the Dylan Review received several reports from Mitch Blank, music archeologist and consulting archivist to the Bob Dylan Archive. The following was dictated by Mitch and captured by the Dylan Review. The reports have been edited for length and clarity. Thursday, May […]
Bob Dylan and the Stanley Brothers ARTICLE BY Bob Russell On the road one night in the late 1940s, Carter Stanley, his brother Ralph, and their band, the Clinch Mountain Boys, were traveling back from a performance in North Carolina to Bristol, Tennessee. Carter, the main songwriter of the group, had turned on the car’s […]
BY Randy Turley I’m in Oklahoma where the wind comes sweepin’ down the plain, Where the oak and blackjack trees kiss the playful prairie breeze, Where the Bob Dylan Center casts its dancing spell my way. I am tangled up in Bob As the snippets of songs, albums and photos, and The mumbling voice of […]
Literary canon formation is a curious thing, and Dylan’s Nobel Prize has certainly put the cat among the pigeons on that score. There’s no question about Dylan’s commanding presence in the rock ‘n roll “canon,” if that’s an appropriate word: the canonical rock ‘n roll artists can be corralled in the second half of the […]
