Dylan Review was founded to provide a forum for rigorous intellectual exploration of Bob Dylan’s art. The journal publishes peer-reviewed critical articles, invited reviews and review essays, as well as opinion pieces, editorials, and a regular column.
The editors’ founding premise is that Dylan is a singular American artist whose songs, performances, and other art have continued to challenge fundamental values and institutions for a half century. Through our commitment to interdisciplinary discourse, Dylan Review opens conversations and hosts debates on all aspects of Bob Dylan’s body of work, encouraging scholars, authors, and listeners to participate. The Review contains multitudes, and you, our serious readers, are what validate our content.
Raphael Falco, University of Maryland, Baltimore County
Paul Haney, University of Massachusetts, Boston
Lisa O’Neill Sanders, Founder of the Dylan Review
Angus Gibson, Managing/Production Editor
Nicole Font, Digital Editor
Mitch Blank, New York City
Alessandro Carrera, University of Houston
Michael Gilmour, Providence University College (Canada)
Nina Goss, Fordham University
Timothy Hampton, University of California, Berkeley
Charles O. Hartman, Connecticut College
Jonathan Hodgers, Trinity College, Dublin
Thomas G. Palaima, University of Texas
Robert Reginio, Alfred University
Christopher Rollason, Luxembourg
Laura Tenschert, London
Richard Thomas, Harvard University
SUPPORT THE DYLAN REVIEW
Dylan Review publishes two issues per year, free of charge.
The suggested donation is $15 per issue to cover operational costs, though donations in any amount are greatly appreciated. All contributions may be tax deductible to the fullest extent allowed by law as advised by a tax professional. Funds in excess of operational costs will be used to sponsor activities such as workshops, invited lectures and exhibitions pertaining to Dylan’s art.
Dylan Review is published by a 501(c)(3) non-profit corporation.