This issue kicks off with a forum of top Dylan scholars considering Bob Dylan’s 80th birthday and the question, Is this a significant juncture? Find responses from Anne-Marie Mai, Timothy Hampton, Alessandro Portelli, Michael Gray, Alessandro Carrera, Andrew Muir, and John Hughes. In our reviews section, David Thurmaeir takes a look at Bob Dylan, 1970, while Christopher Rollason surveys the recent collection inspired by the 2019 World of Bob Dylan Conference. Michele Ulise Lipparini files two reviews–one for Bob Dylan in Hell, the other for Bob Dylan, pioggia e veleno, and John Serembus thinks through the logic of Decoding Dylan. The Dylanista provides another take on this juncture in Dylan studies–the need for an annotated lyrics–while the occasion inspires a sonnet from Jacqueline Osherow. Two articles grace our pages. The first is a thoughtful comparison from Jim Salvucci between Dylan’s “Key West” and Wallace Stevens’s Florida poems. The second is a detailed look at Hal Lindsey’s influence on Dylan’s eschatology. In the Song Corner, Sarah Gates examines the psychedelic irony in “Gates of Eden.” And finally, we have a letter–our first!–from Spencer Leigh in response to last issue’s review of his book.