Entries by

,

THE DYLANISTA – Early Dylan and the Aesthetics of Invective

“Early Dylan and the Aesthetics of Invective”   Truly sharp-tongued verse is rare among songwriters, prevalent as it has always been in poetry. Few twentieth-century song lyrics contain harsh criticism or ad hominem hostility. Dylan, in contrast, seemed to develop an aesthetics of invective from early in his songwriting career.1 As I’ve suggested for other […]

,

Review of Clowns in the Burying Ground

Christopher K. Coffman. Clowns in the Burying Ground: The Grateful Dead, Literature, and the Limits of Philosophy. Duke University Press, 2026. 251 pp. Review by Olivia Carter Mather, Chapman University   There are a few rock artists with both devoted long-term followings and an unconventional musical style that repels other listeners. Their repertoires establish a […]

,

Review of Bob Dylan as Filmmaker

Michael Glover-Smith. Bob Dylan as Filmmaker: No Time to Think. McNidder and Grace, 2026. 244 pp. Review by Robert Reginio, Alfred University   Any survey of Dylan’s work in film—as opposed to his appearances on screen in videos or other cinematic projects—is a salvage operation. Films like Eat the Document (1972) or Renaldo and Clara […]

,

Review of After the Flood

Robert Polito. After the Flood: Inside Bob Dylan’s Memory Palace. W. W. Norton & Company, 2024. 336 pp. Review by Anne Margaret Daniel, The New School   After the Flood is meant to cover Bob Dylan’s career from 1991 to 2024, but you can’t write about The Later Dylan standing alone—because he stands neither alone […]

,

Dylan Review Vol. 7.2, Fall/Winter 2025-2026 – Copyright Information

Talkin’ New York. Copyright © 1962, 1965 by Duchess Music Corporation; renewed 1990,1993 by MCA. Bob Dylan’s Blues. Copyright © 1963, 1964 by Warner Bros. Inc.; renewed 1991, 1992 by Special Rider Music. Sad-Eyed Lady of the Lowlands. Copyright © 1966 by Dwarf Music; renewed 1994 by Dwarf Music. Time Passes Slowly. Copyright © 1970 […]

,

Dylan Review Vol. 7.2, Fall/Winter 2025-2026 – Contributors

Nicholas Birns teaches modern and contemporary literature at the School of Professional Studies, New York University. His recent books include The Literary Role of History in the Fiction of J. R. R. Tolkien (2024), and the co-authored Agatha Christie Under the Magnifying Glass (with Margaret Boe Birns, 2025). Erin C. Callahan is a professor of English at […]

,

Interview with Emma Swift

The Dylan Review spoke to songwriter Emma Swift about covering Bob Dylan, Lou Reed and her own creative process. The interview has been edited for length and clarity.   Dylan Review: As we speak, you’re back in Nashville after playing the historic Bearsville Theater in Dylan’s old stomping ground of Woodstock. How was it?  Emma […]