Annie Burkhart is an instructor of Writing Studies at the University of Northern Colorado. She received her PhD in English from the University of Iowa in 2024. Annie has written about Dylan and the Band for Flagging Down the Double E’s and appeared on the podcast The Band: A History.

Erin C. Callahan is Professor of English at San Jacinto College in Houston, Texas. She has published on gender in the Star Wars Saga, Star Trek: The Next Generation, and Charles Schulz’s Peanuts and contributed an essay to 21st Century Dylan: Late and Timely.

Court Carney is Professor of History at Stephen F. Austin State University. He is the co-editor of a collection of essays on Bob Dylan’s setlists entitled The Politics and Power of Bob Dylan’s Live Performances: “Play a Song for Me,” published with Routledge later this year.

Barry J. Faulk is a Professor of English at Florida State University. His recent work includes an article on William Burroughs in the American Book Review (2020) and an essay on Burroughs, David Bowie, and Bob Dylan in Lit-Rock: Literary Capital in Popular Music (Bloomsbury, 2022).

Andrew Fehribach is studying for Masters in Applied Research at Radboud University, Netherlands. He presented research at the “Bob Dylan – Questions on Masculinity” symposium at the University of Southern Denmark. Andrew has a BA in History and German from Centre College, Kentucky.

Timothy Hampton is professor of Comparative Literature and French at the University of California, Berkeley, where he also directs the Doreen B. Townsend Center for the Humanities. He writes widely on literature and culture. He is the author of Bob Dylan: How the Songs Work (Zone Books, 2019).

Graley Herren is Professor of English at Xavier University in Cincinnati. He is the author of books on Samuel Beckett, Don DeLillo, and Bob Dylan. He writes a newsletter on Dylan called Shadow Chasing and serves on the editorial board of the Dylan Review.

Jonathan Hodgers received his PhD in music from Trinity College Dublin, where he teaches in popular music. His core areas of interest are song lyrics, the music of the 50s and 60s, audiovisual aesthetics, and music in movies. His recent book, Dylan on Film, was published by Routledge in 2024.

Quentin Miller is Professor and chair of English at Suffolk University where he teaches contemporary American literature. He is the author or editor of more than a dozen books, including The Routledge Introduction to the American Novel (Routledge, 2024), and James Baldwin in Context (Cambridge UP, 2019).

Thomas Palaima is Robert M. Armstrong Professor of Classics at University of Texas, Austin and a MacArthur fellow. His reviews, book chapters, features, and poems have appeared in the Times Higher Education, Michigan War Studies Review, Arion, the Los Angeles Times, and commondreams.org.

Rebecca Slaman is a freelance writer and editor. She has a BA from Fordham University in English and Classics. Her writing specializes in fan communities on social media, particularly Twitter. She has presented at University of Tulsa and Florida International University.

Chuck Sweetman is senior editor for december magazine. His work has appeared in Verse Daily, River Styx, Poet Lore, Black Warrior Review, and Notre Dame Review. His chapbook of poems, Incorporated, won the 2007 Dream Horse Press Chapbook Prize.

Jack Walters is a frequent contributor to PopMatters. His book, Bruce Springsteen: Song by Song (Fonthill, 2023), takes a close look at each track on Springsteen’s twenty-one studio albums. He is currently writing a song-by-song book on Bob Dylan, covering 1962 to 1969.